Category Archives: Gadgets

NASA awards US$106 million to US small businesses

Image courtesy of Billy Brown on Flickr, under a Creative Commons 2.0 license

The US National Aeronautics and Space Administration (NASA) has awarded US$106 million in funding to 142 proposals from 129 US small businesses across 28 states and the District of Columbia as part of the second phase of its Small Business Innovation Research (SBIR) program, the agency said on 14 May.

Selected projects include solar panels that deploy like venetian blinds that can be used as a surface power source for crewed missions to the moon and Mars; sensor technology for autonomous entry, descent and precision landing on planetary surfaces; and a type of permanent magnet that creates a bonding force between two halves with no moving parts, enabling in-space assembly of large platforms.

NASA said it selected the successful proposals “based on a range of criteria, including technical merit and feasibility, as well as the organizations’ experience, qualifications, and facilities” as well as “effectiveness of proposed work plans and the commercial potential of the technologies”.

“Small businesses play an important role in our science and exploration endeavors,” Jim Reuter, acting associate administrator of NASA’s Space Technology Mission Directorate, said in a statement. “NASA’s diverse community of partners, including small businesses across the country, helps us achieve our mission and cultivate the U.S. economy.

“Their innovations will help America land the first woman and the next man on the Moon in 2024, establish a sustainable presence on the lunar surface a few years later, and pursue exciting opportunities for going to Mars and beyond,” he added.

The SBIR is a three phase program with phase one work and results providing a “sound basis for the continued development, demonstration and delivery” of the “proposed innovation” in phase two and follow-up efforts. Only small businesses awarded phase one contracts are eligible to apply for phase two.

Phase two is focused on the actual “development, demonstration and delivery” of the products selected in phase one, and the contracts awarded in this phase last for 24 months with maximum funding of US$750,000 available. NASA said that the contracts are “chosen as a result of competitive evaluations and based on selection criteria”. Phase three is the “commercialization of innovative technologies, products and services” resulting from phase one or two contract.

The SBIR and its sister program, the Small Business Technology Transfer (STTR), are intended to “encourage small businesses and research institutions to develop innovative ideas that meet the specific research and development needs of the federal government”.

The two programs aim to “stimulate technological innovation in the private sector, increase the commercial application of research results, and encourage participation of socially and economically disadvantaged companies and women-owned small businesses”.

NASA’s Ames Research Center in California’s Silicon Valley manages the SBIR and STTR programs for NASA’s Space Technology Mission Directorate (STMD). The STMD is responsible for developing the “cross-cutting, pioneering new technologies and capabilities” needed by the agency to achieve its current and future missions.

Netflix inks first-look deal with Dark Horse Entertainment and partners with OnePlus

Image by Jade87 from Pixabay

Ubiquitous global streaming platform Netflix announced on 9 May that it had closed a “first-look” deal with Dark Horse Entertainment, the motion picture and television production arm of American comic book publishing company Dark Horse Comics.

The deal gives Netflix a first look at Dark Horse’s IP for both film and TV, and the companies said they had already started exploring future projects with Dark Horse Entertainment’s Mike Richardson, Keith Goldberg and Paul Schwake signed on to produce.

Netflix and Dark Horse have previously collaborated on hit action-comedy series The Umbrella Academy, which was recently renewed for a second season, as well as Jonas Åkerlund’s feature film Polar. Exact details of any projects currently on the slate for the two companies are still being kept strictly under wraps.

A first-deal is a contract between the two parties that gives Netflix first rights to consider a production by Dark Horse Entertainment for production and/or distribution by giving financial support to the project during the development period. So they essentially get first dibs on anything Dark Horse wants to produce but also reserve the right not to pick up anything they don’t fully support.

“We are very excited about this new arrangement with the talented people at Netflix,” Mike Richardson, Dark Horse Entertainment’s President and Founder, said in a statement. “We have strong creative relationships as well as a large content library to work with and, as we have seen with our recent projects, Netflix is the perfect partner to bring our stories to fans around the world.”

“With The Umbrella Academy and Polar, Netflix has pushed our content out into the world and allowed it to spread in a way that we’ve never experienced before, and we couldn’t be more excited to bring a whole new slate of movies and shows to their world-wide audience,” Keith Goldberg, Dark Horse Entertainment’s Senior Vice President, added.

“Following the success of The Umbrella Academy, we’re excited to extend our relationship with Dark Horse Comics,” Cindy Holland, Vice President, Original Content for Netflix, concluded. “The Netflix teams are already working in deep collaboration with Dark Horse to identify projects beyond the world of traditional superheroes — branching into horror, fantasy and family entertainment — that we think our members will love.”

Founded by Mike Richardson, Dark Horse Entertainment was spun off from Dark Horse Comics in 1992. The company’s first hits – The Mask and Timecop – were based on creations by Richardson himself, and the production house has since produced more than thirty films and series over the last few decades, including the Dark Matter series for the SyFy network and Resident Alien, another SyFy series starring Alan Tudyk of Firefly fame and based on the comic series by Peter Hogan and Steve Parkhouse.

OnePlus partnership

On the following day, Netflix further announced that it had partnered with Chinese smartphone manufacturer OnePlus to “deliver an incredible Netflix viewing experience on the much awaited OnePlus 7 Pro”, leveraging a “common philosophy of a community and member-first approach”.

Netflix released two new posters for their much-anticipated original series Sacred Games Season 2 to celebrate the partnership, noting that the imagery for the artwork was shot on OnePlus 7 Pro.

The posters capture two Sacred Games characters – Sartaj Singh (Saif Ali Khan) and Ganesh Gaitonde (Nawazuddin Siddiqui). The streaming service also gave fans a sneak peek into the series by releasing a behind-the-scenes video, also shot on the OnePlus 7 Pro.

The OnePlus 7 Pro will feature a three camera set-up and launches on 14 May at Bangalore International Exhibition Centre.

“Through . . . devices like the OnePlus 7 Pro, consumers increasingly are able to enjoy an amazing viewing experience on Netflix,” Jerome Bigio, Director-Partner Marketing, APAC, Netflix, said in a statement. “We are thrilled to celebrate the epic fandom of Sacred Games with posters and a behind-the-scenes video shot on the OnePlus 7 Pro.”

“OnePlus continues to look for innovative ways to engage and bring unique experiences to our community,” added Vikas Agarwal, General Manager, OnePlus India. “We are excited to partner with Netflix and Sacred Games Season 2 to creatively showcase the . . . capabilities of OnePlus 7 Pro. We can’t wait to unveil more about the product and the partnership at the launch event.”

Purdue researchers create AI-based “hummingbird” drone

Image by Domenic Hoffmann from Pixabay

Indiana-based Purdue University said on 9 May that researchers had engineered drones that “behave like hummingbirds”, trained by machine learning algorithms based on various techniques the bird naturally uses every day.

This means that – after learning from a simulation – the robot “knows” how to fly and hover on its own like a hummingbird would, such as discerning when to perform an escape maneuver, allowing them to move “better through collapsed buildings and other cluttered spaces to find trapped victims”.

A combination of AI and flexible flapping wings allows the robot to “teach itself” new tricks. For example, it can’t yet “see” but senses by touching surfaces. Each touch alters an electrical current, which the researchers realized they could track.

“The robot can essentially create a map without seeing its surroundings,” Xinyan Deng, an associate professor of mechanical engineering at Purdue, said in a statement. “This could be helpful in a situation when the robot might be searching for victims in a dark place – and it means one less sensor to add when we do give the robot the ability to see.”

While drones cannot be made infinitely smaller as they would be unable to generate enough lift to support their weight, hummingbirds do not use conventional dynamics and have extremely resilient wings.

“The physics is simply different; the aerodynamics is inherently unsteady, with high angles of attack and high lift,” Deng said. “This makes it possible for smaller, flying animals to exist, and also possible for us to scale down flapping wing robots.”

According to Purdue, researchers have long tried to “decode” hummingbird flight to facilitate robots flying where larger aircraft cannot. For example, California-based drone developer and manufacturer AeroVironment was commissioned by DARPA – a US Department of Defence agency – in 2011 to build a robotic hummingbird that was heavier than a real one but not as fast. It had helicopter-like flight controls and limited manoeuvrability, and required a human to operate the remote control at all times.

Deng’s research group and fellow collaborators studied hummingbirds themselves over multiple summers in Montana, documenting key hummingbird manoeuvres, such as rapid 180-degree turns, and translated them into computer algorithms that a computer could learn from when hooked up to a simulation.

Further study of the physics of insects and hummingbirds allowed researchers at Purdue to create robots that are smaller than hummingbirds – and even as small as insects – without compromising the way they fly. According to Deng, a smaller drone with a greater wing flapping frequency will fly most efficiently.

The drones have 3D-printed bodies, wings made from carbon fibre and laser-cut membranes. One weighs as little as 12 grams – the weight of the average adult hummingbird – and another insect-sized drone weighing just one gram. The hummingbird-sized drone can lift up to 27 grams.

Drones with higher lift give researchers more room to eventually add a battery and sensing technology, such as a camera or GPS, and while the drone currently needs to be tethered to an energy source, the researchers reportedly say that this will not be the case for much longer. It only requires two motors to fly and can independently control each wing, which is how flying animals are capable of performing highly agile manoeuvres in nature.

The drones can fly as silently as a real hummingbird, making them ideal for covert operations, and can stay steady through turbulence, which researchers demonstrated by testing the dynamically scaled wings in an oil tank.

Robotic hummingbirds could both help with search-and-rescue missions and allow biologists to study hummingbirds more reliably in their natural environment through the senses of a realistic robot.

“An actual hummingbird has multiple groups of muscles to do power and steering strokes, but a robot should be as light as possible, so that you have maximum performance on minimal weight,” Deng said. “We learned from biology to build the robot, and now biological discoveries can happen with extra help from robots.”

Early stages of the work, including the Montana-based experiments in collaboration with researchers from the University of Montana, were financially supported by the National Science Foundation. The project is related to Purdue’s 150th anniversary Giant Leaps celebration, acknowledging the university’s global advancements in AI, algorithms and automation as part of Purdue’s 150th anniversary.

The researchers will present their work on 20 May at the 2019 IEEE International Conference on Robotics and Automation in Montreal with a YouTube video available here if you’re unable to attend. Simulations of the technology are available open-source on GitHub.

Lockheed Martin Completes Heat Shield Testing for NASA’s Mars 2020 Rover Heat Shield

Image by Aynur Zakirov from Pixabay

Global security and aerospace company Lockheed Martin said on 2 May it had “successfully completed” construction of the heat shield for the Mars 2020 rover – one half of the craft’s protective “aeroshell” – performing a final static test to confirm its structural integrity after “after exposing it to flight-like thermal conditions”.

The Mars 2020 Rover mission forms part of the US National Aeronautics and Space Administration’s (NASA) Mars Exploration Program, a long-term effort of robotic exploration of the fourth planet in our solar system. The mission will explore the potential for life on Mars, seeking “signs of habitable conditions on Mars in the ancient past” as well as “signs of past microbial life itself”.

The rover’s finished aeroshell will – at least theoretically – “encapsulate [the] NASA Jet Propulsion Laboratory’s Mars 2020 rover from the punishing heat and friction of entry through the Martian atmosphere”. The heart shield aerodynamics are intended to serve as a “brake” to slow the spacecraft down from around 12,000 mph (19,300 kph) so the structure “needs to be flawless”.

It is the tenth aeroshell system that Lockheed Martin has designed for NASA and measures 15 feet (4.5 meters) in diameter. In a press release, the company described the mission as “one of the most challenging entry, descent and landings ever attempted”.

The static test was conducted on 25 April and was designed to mimic the load that the heat shield is expected to experience during the entry phase, the “most extreme” part of its journey. Lockheed Martin engineers used vacuum pumps to simulate the pressure of approximately 140,000 pounds on the structure, which was tested to 120 percent of the expected flight load to push it to the limit.

This particular test used a new form of instrumentation, augmenting conventional strain gauges and extensometers – that monitor structural response at distinct points during loading – with photogrammetry or “digital image correlation”. Lockheed Martin partnered with NASA’s Langley Research Center to integrate this new technology into the testing process.

It allowed the team working on the project to “monitor full-field strains and displacements over the entire visible area of the structure in real time”. A “vinyl wrap” with different visual cues (aka “dark random speckles over a white background) was applied to the heat shield. During the test, a set of digital cameras optically monitored changes in the pattern, generating a 3D image of the displacements and surface strains as the applied load increased.

“Our experience building aeroshells for NASA Mars missions does not mean that it is ‘easy’,” Neil Tice, Lockheed Martin Mars 2020 Aeroshell program manager, said in a statement. “Tests like this structural test are absolutely essential to ensuring mission success in the long-run.”

“While we have used [the] full-field photogrammetry technique . . . in the past, this is the first successful implementation on official flight hardware,” Dr. Sotiris Kellas, NASA Langley aerospace engineer and lead for the technical demonstration, added. “This technology will allow us to safeguard hardware during testing but more importantly provide data for test analysis correlation, and improvement of our design and analysis tools.”

The new rover includes a drill that can collect core samples of rocks and soils that are deemed “most promising”, and will set them aside in a “cache” on the planet to be potentially returned to Earth on a future mission. That would allow scientists to study the samples in laboratories will special room-sized equipment that would be too large to take to Mars.

NASA also plans to use the mission to “gather knowledge and demonstrate technologies that address the challenges of future human expeditions to Mars”. This includes testing a method to produce oxygen from the planet’s atmosphere, identifying other possible resources such as subsurface water, improving landing techniques, and looking at weather, dust, and other potential environmental conditions that could affect future astronauts living and working on Mars. The mission is expected to launch between 17 July and 5 August 2020 when Earth and Mars will be in good positions relative to each other for landing on the planet. Basically, it will take less power to travel to Mars during that window in time, compared to other times when Earth and Mars are in different positions in their orbits. The rover is expected to land on Mars on 18 February 2021 and the subsequent mission is timed to last for at least one Mars year, which is equivalent to around 687 days on Earth.

What are “deepfakes” and why should you care?

Seeing is believing, right? Wrong, apparently. The concept of doctored photographs and video isn’t a new one; it’s been a very real problem for literal decades, and a key plot device used by many a thriller or television cop show as a red herring to misdirect viewers to frame one character for the crimes of another.

But now the advent of halfway decent artificial intelligence has allowed some people to take this to a whole new level with so-called “deepfakes”, convincingly mapping someone’s face onto someone else’s body within a video.

In April last year, Buzzfeed published a demonstration featuring celebrated actor and director Jordan Peele. Using FakeApp – the same tool notoriously used to create fake celebrity sex videos – Buzzfeed took an old video of former US President Obama and seamlessly swapped in Peele’s mouth as he did an impression of Obama.

A portmanteau of “deep learning” and “fake”, a “deepfake” is essentially a technique used for human image synthesis using artificial intelligence. It combines and superimposes existing images and videos onto source images or videos using a machine learning technique known as a “generative adversarial network”.

This means that videos can be created that show someone doing or saying something that never happened in reality, such as depicting a celebrity in a compromising sexual act in which they didn’t actually take part, or manipulating the words or gestures of a politician to make it seem as if they said something they didn’t.

Deepfake porn first surfaced on the internet in 2017 – particularly on Reddit – and has been banned by a number of sites, such as Reddit, Twitter, and Pornhub. The videos were quickly debunked but the Reddit community fixed bugs in the fake videos, making them increasingly realistic to the point that it became difficult to distinguish the fakes from true content.

In the United Kingdom, producers of deepfakes can be prosecuted for harassment but there have been calls to make the technique a specific crime; in the United States, a variety of charges have been levelled against deepfake creators, including identity theft, cyberstalking, and revenge porn.

Besides the Buzzfeed demonstration, deepfakes have also been used to misrepresent well-known politicians on video portals or chatrooms. The face of the Argentine President Mauricio Macri was replaced by the face of Adolf Hitler and Angela Merkel’s face was replaced with Donald Trump’s.

This is a level above simple photoshopping; it’s live action, can be generated using free software, and the technology is evolving quickly. In the Buzzfeed video, Peele is essentially acting as a puppeteer for Obama’s face where not long ago deepfakes were limited to transferring simple facial expressions and mouth movements from an actor to the fake video.

Now, the software can account for wide-ranging head and eye movements without a great deal of obvious distortion. Combining fake video with fake audio makes it easy to imagine a future in which fake videos are almost completely impossible to distinguish from reality.

The potential for abuse is theoretically severe: what if a fake video of a world leader inspires a riot, fells the market, or starts an outright war? What if it could be used to rewrite our memories of the past by seeding the public with false memories?

The human mind is incredibly malleable and can be easily manipulated, given the right circumstances, knowledge, and tools. Studies have shown that we are highly susceptible to forming false memories (people have been known to misremember entire events that never happened) and that tendency could be kicked into overdrive on the internet, where false ideas spread like wildfire.

Studies have shown that people are more likely to say that they remember a faked photograph when it fits with their political worldview, potentially allowing bad actors to use manipulated images or videos to prey on our political biases to change our understanding of world events, past and present.

However, the Buzzfeed video was created last April and in that time, the predicted wave of political deepfakes hasn’t materialized, even in this increasingly polarized political environment, making the panic around deepfakes and AI-assisted propaganda seem like a somewhat overblown false alarm.

The technology is cheap, easily available, and technically straightforward; countries like Russia and China, for example, absolutely have the motive and resources to produce a deepfake. And we now know from the Mueller report that Russia has been using various underhanded techniques to manipulate US politics.

But they haven’t turned to deepfakes as yet, perhaps in part because the videos are easy to track because the existing deepfake architectures leave predictable artifacts on doctored video. These are easy for a machine learning algorithm to detect, some of which are publicly available, and Facebook has been using its own proprietary system to detect fake video for a while now.

It’s also not clear how effective fake videos are for this kind of political misinformation campaign; most operations that we’ve seen so far, such as a widely shared 2016 piece of fake news that claimed Pope Francis had endorsed Donald Trump, are designed to muddy the water rather than provide convincing evidence for a claim.

It’s possible that the deepfake revolution just hasn’t arrived yet – we’ll have to see. The technology gets better and better with every passing year, and the next version could solve whatever problems are currently holding it back. Time will tell.

“Malicious software attack” takes The Weather Channel off air

Atlanta-based network The Weather Channel, a well-known cable channel source of meteorological data across the US, was knocked off-air for over an hour on the morning of 18 April by what it described in a tweet as a “malicious software attack”.

In replies to the tweet, many Twitter users questioned why anyone would want to hack the network in the first place as it appears an unlikely target.

The network’s morning show, “AMHQ,” which had been due to start at 6 am ET, was unable to go on air and viewers instead saw default taped programming, until the AMHQ show returned to the air at 7:39 am ET with a commercial break. At 7:43 am, the show’s anchors announced the reason for their absence.

“The Weather Channel, sadly, has been the victim of a malicious software attack today,” anchor Jim Cantore reportedly said.

“Yes, and it has affected our ability to bring you your weather information,” added anchor Stephanie Abrams. “So we just wanted to say thank you again for your patience and we want to get right to today’s severe weather.”

The network said it was able to use “backup mechanisms” to quickly restore live programming and informed viewers that federal law enforcement was “actively investigating the issue”, apologizing for “any inconvenience” to viewers as it works to resolve the matter.

This incident demonstrates that media companies are just as vulnerable to hacking as any other industry that has embraced modern technology. Television broadcasts are increasingly delivered via IP video distribution networks and cloud-based media processing, opening them up to the same threats that other IT-enabled businesses routinely face.

The danger is that hacks of this sort have the potential to disrupt much more than the morning weather forecast as they could open the airwaves up to retaliatory attacks against news organizations, protests, and censorship of certain content as well as hijacking feeds to push out certain messages or extortion efforts.

“Chimerica” – new Channel Four drama tackles fake news head on

Staring American actor Alessandro Nivola, Chimerica is a four-part television adaptation by Lucy Kirkwood of her own multi-award winning play following the life of fictional war photographer Lee Berger, whose life begins to unravel after his latest Pulitzer-worthy shot is revealed to be a fake.

We first meet Berger as a young man (played by Ty Simpkins) covering the infamous protests thirty years ago in China’s Tiananmen Square, where he photographs an unidentified figure stood in front of the advancing tanks the morning after the Chinese military opened fire on its own people to end the anti-government protests.

This was a real photograph taken by photojournalist Jeff Widener and the unknown man it depicted was nicknamed “tank man” by the world – there were others who stood in front of the tanks, of course, but he was the only one to be photographed.If you’ve seen the utterly arresting image, then you understand the impact it had on the world. It was not only the most striking image to come out of the protests, it served as a reminder of the personal responsibility that we all bear to stand up to evil in all its many forms.

Back in the fictional world of Chimerica, we reunite with Berger many years later in 2016 as he secures another, equally heart-stopping shot – and front page of the New York daily newspaper at which he works – of a soldier in Syria, his gun held to a woman’s head as she sits in the aftermath of an explosion, holding her bloodied son.

His editor (played by the incomparable F. Murray Abraham) is understandably delighted, there’s talk of a Pulitzer prize and on the flight to his next assignment, he meets and hooks up with British marketing executive Tess (played by Sophie Okonedo). Berger seems on top of the world so, naturally, this is the point at which everything starts tumbling down around his ears.

This is 2016 and the campaign for the US Presidency is in full swing, complete with ever-present fake news rhetoric as then-candidate Trump builds a successful bid for the top job in American politics out of a carpet of lies, groundless assertions, grandiose claims and attacks on the free press to the extent that NYU professor Jay Rosen recently described it as a “hate movement” against the media.

A student journalist forces Berger to admit that the much-lauded Syrian photograph was doctored – and the narrative becomes about the possibility of redemption. Does the end – getting the war in Syria front page coverage – justify the means?

How does a journalist – or any professional whose business is the provision of accurate information – come back from that kind of breach of trust? How does he regain the trust of the public and his colleagues?

This is a question that the news media as a whole has been grappling with on a daily basis over the last few years as it has become increasingly self-evident that the public no longer trusts traditional journalism, which makes it difficult – if not impossible – for reporters to successfully do their jobs in a way that has real impact.

Coupled with an administration that constantly lies to the press, subverting our most ingrained instincts – to contact the White House’s press office for a statement on its actions and to accept that statement as authoritative truth, for example – journalism has reached a crisis point, only made worse by a widespread lack of funding as audiences become increasingly reluctant to pay for news they consume.

Berger’s solution to his own problem is to set off on a search for “tank man”, whose identity has long been the subject of rumors and speculation, and his trips to Beijing bring him back in touch with an old friend who was a protester in the square and whose wife was killed in the massacre.

In the scenes set in China, we see erasure of history at every turn, exemplified by a waitress who doesn’t know that anything even happened in Tiananmen Square, whose knowledge of current affairs is severely limited because the people of her country only have access to government-approved websites.

Meanwhile, Tess informs him that their relationship is strictly a “work thing”, and that she really doesn’t understand the ethical and moral consequences – or sheer scale – of his choice to doctor the photograph.

Described by The Guardian newspaper as “strikingly intelligent”, Chimerica is explores big ideas without sacrificing either plot or character as it delves through layers of deception, delusion and misunderstandings. It acknowledges the fundamental truth that the personal is political and vice versa, exploring the lies that we tell and the untruths that we accept because society needs us to in order to keep going.

You can watch Chimerica for free online with Channel Four’s on-demand streaming service All4.

Photo taken before Notre Dame fire inspires Twitter search for tourist family

American tourist has put out a plea on social media to find two people she spontaneously photographed outside Notre Dame cathedral in Paris shortly before the historic landmark erupted in flames on Monday 15 April.

In a tweet posted the same day, Brooke Windsor, 23, said she took the photograph in question – which appears to show a father and daughter playing outside the beloved cathedral – about an hour before the fire broke out, admitting that she almost asked the father if he wanted the photograph but decided against it.

Given what happened next, she said she regrets the decision, and called for Twitter users to “step up” and help her find them. At last count, the post had been shared by over 66,000 users around the world (Windsor’s profile is now private so the Tweet cannot be share on embedded in pages outside the social network) but the subjects of the photo have not been found as yet.

The BBC reported that while Winsor was not convinced that the pair depicted in the photograph are father and daughter, she had come to this conclusion based on “the dynamic I observed from them while debating on interrupting this moment”.

Located on the Île de la Cité in the center of Paris, the gothic cathedral attracts millions of visitors each year and is home to a staggering number of priceless works of art. It dates back to the 12th century and is one of the world’s most famous tourist attractions.

The fire, which is currently being investigated as an accident, ravaged around two-thirds of the cathedral, causing the cathedral’s spire – which was shrouded in scaffolding as part of a US$6.8 million renovation project – to collapse and completely destroying its roof.

According to investigators – who have not yet been able to enter the building – the fire may have been caused by an electrical short circuit. They have reportedly been questioning workers at companies that were involved in the renovations.

Firefighters were able to save the cathedral’s historic façade, rose windows, and some of the priceless treasures kept within the cathedral, including the Holy Crown of thorns which is traditionally displayed in the cathedral on the first Friday of each month and every Friday during Lent.

Father Jean-Marc Fournier reportedly orchestrated the rescue of many relics in the cathedral treasury with the help of firefighters, forming a human chain and getting the artifacts out with just minutes to spare.

The Best Eco-Friendly Gadgets of 2019

People around the world celebrated this year’s Earth Day on April 22, a global annual day of political action and civic participation that began on the same day in 1970 when millions of people took to the streets to protest the negative impact of over 150 years of industrial development by humankind.

In the US – and around whole world – smog was becoming deadly, biodiversity was in decline due to heavy use of pesticides and other pollutants, and growing evidence demonstrated that pollution led to developmental delays in children.

Global ecological awareness was growing, and the US Congress and then-President Nixon responded quickly, creating the Environmental Protection Agency in July of the same year, as well as robust environmental laws such as the Clean Water Act and the Endangered Species Act.

Earth Day is now a global event that takes place every year with the organization behind it estimating that over 1 billion people in 192 countries now take part in what has become the largest civic-focused day of action in the world.

Participants march, sign petitions, meet with their elected officials, plant trees, and clean up their towns and roads, while corporations and governments make pledges and announce new sustainability measures. But there are many ways that we can help the environment, starting with reclaiming technology as a way to help preserve the Earth, rather than continuing to pollute it…

Anker PowerPort Solar Lite

Charge your phone the environmentally friendly way with this solar powered UBS phone charger made from “industrial-strength PET plastic faced solar panels sewn into high-wear polyester canvas” to ensure that it can (allegedly) withstand even the most intrepid outdoor adventures.

It’s super lightweight, foldable for added portability, and comes with Anker’s PowerIQ technology that “discovers and replicates your device’s original charging protocol to provide its fastest possible charging speed”.

WeMo Switch

Belkin’s smart plug is a genius solution for those of us who routinely forget to turn things off when we leave the house, uselessly frittering away power until we return, allowing users to switch off – or turn on – electronic devices from anywhere using your existing home Wi-fi network, simultaneously saving power and making your life easier.

Simply download the accompanying app to your smartphone, plug the switch into an outlet in your home or office, and plug a device into the switch. You can then set schedules for your devices and control them remotely using a mobile internet connection, and add additional switches to control more devices.

Fairphones

These ethical smartphones are both modular and crafted using a completely fair supply chain, including conflict-free minerals such as tin, tungsten and tantalum and Fairtrade gold. Because they’re modular, a broken part can be replaced in isolation, saving you from the hassle and waste of buying an entirely new phone.

The newest model, the Fairphone 2, comes with two SIM slots, a removable battery, Android 7.1.2 Nougat, a 5-inch 1080dp display, and 32 GB of internal storage that can be expanded up to 64 GB with a micro SD card. It’s sold out on their website (unless you buy a refurbished one aka the New Life Edition) but still available through online resellers and some brick-and-mortar stores.

In the fight against planned obsolescence in technology (which isn’t just bad for the environment, it’s annoying, and it takes a toll on the contents of our wallets), this is very much a step in the right direction.

Hidrate Spark 2.0A Smart Water Bottle

Add this to the list of smart devices that you never knew you needed, probably don’t need, but still want anyway because it’s cool, helpful, and eco-friendly. The Hidrate Spark tracks your water intake, calculates how much hydration you need based on physiology and location, and glows to remind you to stay hydrated.

It even integrates with your Fitbit, Apple Watch, or other activity tracker to adjust your daily water goal to match your daily activity level. It’s also (somewhat surprisingly) dishwasher safe, holds up to 24 ounces of liquid, and fits in a standard cup holder. You’ll never need – or want – to use a single-use plastic water bottle ever again.

The future of 5G is changing: Trump admin announces plan to expand 5G networks in US

The US Federal Communications Commission (FCC) under the Trump administration has announced on 12 April plans for a spectrum auction and to bolster broadband in rural areas across the country as part of its 5G Fast Plan, which looks to speed-up the rollout of 5G technology across the US.

The auction is scheduled to begin on 10 December and – with 3,400 megahertz in three different spectrum bands up for grabs – will be the largest slice of the airwaves that the FCC has ever auctioned for commercial use at one time. Spectrum is the airwaves that the networks use to provide internet to devices and this space is regulated by the FCC.

With tens of millions of Americans still without broadband, providers have been urging the regulator to open up mid-band airwaves that can project signals over longer distances, improving connectivity in rural areas.

The FCC also announced a series of measures to help connect these areas to faster internet, including repurposing funds from other programs to create the Rural Digital Opportunity Fund and new rules that would allow “Fixed Satellite Service operators to provide faster, more advanced services to their customers” using 50 GHz spectrum.

This program seeks to connect up to four million households and businesses to high-speed internet networks via US$20.4 billion in subsidies over 10 years to companies through an auction process to build out broadband infrastructure in rural areas.

The 5G Fast Plan also covers initiatives such as restrictions on how much cities can charge for deployment of 5G infrastructure and a 90-day limit on the processing of applications for such development.

Meanwhile, some mobile phone carriers – including Verizon and AT&T – have begun launching their 5G networks across the US. Sprint and T-Mobile are both expected to start activating theirs over the next few months. Currently, there is one 5G enabled phone available in the US, offered by Motorola and Verizon.

5G is the fifth generation of mobile internet and promises fast data download and upload speeds, alongside wider coverage and more stable connections. In short, it aims to make better use of the radio spectrum (hence the auction) and to enable more devices to access mobile internet simultaneously.

Users will require new, 5G enabled phones to access the network, which experts believe may lead to the development of higher quality video, better virtual and augmented reality on your phone, advances in smart technology and the internet of things, clearer and less jerky video calls, less delay for gamers, and better coordination between drones carrying out tasks such as search and rescue missions.

The race between countries to launch the network has become highly competitive with US President Donald Trump recently describing it as a private sector driven and private sector led” competition that “America must win” at a launch event with the FCC’s chairman Ajit Pai for the regulator’s new initiatives.